26th
MELOW International Conference to be held at the
Central University
of Himachal Pradesh, Dharamshala
19-21 September 2025
CHALLENGES IN ADAPTATION: INTERPLAY OF TRADITION AND INNOVATION
The
multifaceted literary, aesthetic, and cultural representations of life we
engage with today are often complex, intertextual, interdisciplinary, and
transcultural. Adaptations, in particular, emphasize dynamic and interactive
exchanges and collaborations. The textual and performative networking
engendered in the process propels us through and beyond the traditional issues
of the relative merits of the original and the adapted work, fidelity, dilution,
and the losses incurred, or the gains accrued, which were so hotly debated in
earlier phases of Adaptation Studies. Simultaneously, adaptation is no longer
limited to a simple movement from the page to the stage or the screen. Whereas
traditionally adaptation meant transforming a literary text into different
mediums like film, television, theatre, and other forms of popular culture through
translations, trans-generic adaptations, revisions, parodies, and
counter-narratives, Adaptation Studies today has evolved to include other forms
of textual and cultural modes that have enriched the theory and practice of
adaptation in the 21st century.
Critics
like Andre Lefevere, Robert Stam, Brian McFarlane, Thomas Leitch, Linda
Hutcheon, and others have several theories on the subject that continue to be
revisited. However, there is a decisive shift from viewing adaptation as a
‘product’ to now recognizing it as a ‘process’ with its own underlying
principles. While the Ur-text had its sanctity, the transformed version became
intriguing too in the manner in which the newer generations interpreted it.
In
an endeavor to understand the processes involved and the outcome of
adaptations, the MELOW 2025 conference to be held at CUHP, Dharamshala, seeks
to explore and analyze complementary focal points in the evolution of a
literary text through time. In a scenario when social norms have undergone
significant changes, what are the hurdles encountered by the present-day
recipient of a “classical” text? How do these adapted texts compare with their
original versions? Why is it necessary to re-write and re-configure literary texts
that have thus far stood the test of time? How faithful are these adaptations
to the stories they borrow from? What innovative strategies must be employed to
re-tell an old story? And what is the cultural impact of storytelling across
different platforms?
Another approach comprises a more
contemporary aspect of adaptation that the Conference seeks to explore. Adaptation
Studies now includes a relatively broader range of art forms and theoretical
concerns. Newer media and technologies have fostered new models and modes of
adaptation, expanding the contours and scope of the field. Adaptation also
thrives now on media convergence where multiple media intersect and engage with
one another while reimagining and reinterpreting a source text. This
heterogeneity has thus made adaptation a dynamic and ever-evolving category not
easily identifiable by any overarching theoretical paradigm. Today, Adaptation Studies
is a myriad, productive field of inquiry that addresses adaptation not as a
form of ‘borrowing’ bound by the ‘fidelity factor’ but attempts to foreground
and recognize the processes and underlying principles involved in the act of
adaptation. Never a static act, adaptation is a constantly adopting art form
that throws up questions of authorship, legitimacy, intertextuality,
subversion, imitation, revisionism, etc. The notion of medium specificity has
also entered the domain of Adaptation Studies whereby the distinctive features
of the source and target media are analysed. The cross-genre interaction in
adaptation also raises issues of genre-specific conventions and technicalities
and their interplay during the act of adaptation.
Remembering the old and looking
forward to these new modes of adaptation, these are some of the questions the forthcoming
conference seeks to answer.
Abstracts (200-250 words) are
invited on any of the sub-themes below:
Panel suggestions:
1. Adapting the Narrative: Ethics, Politics, and the Future of Storytelling
This panel will explore the theory and practice of adaptation, the contribution of critics and theorists to the debate, the ethics of ownership, the politics behind transforming original texts through contestation and subversion, and the future of adaptations in an age dominated by AI and VR.
2. The Fidelity Question: The Creative Licence
This panel will explore the dichotomy between staying faithful to the original text and taking liberties while recreating it in a different milieu. What are the challenges and the risks?
3. Visual Transformations: From Page to Stage/Screen
The focus will be on stage/film adaptations of classical literary texts and the transformations that take place in the new medium.
4. Stories that Move: Trans-Cultural Adaptations
Papers will discuss how literary texts with specific cultural roots undergo a change when relocated in a different culture and are thus localized to suit the new audience.
5. Same Story, Different Narrative: Moving across Genres
This panel would explore the changes that take place when the same story is told in a different genre. How and why does this shift in genre affect the Ur-story? How do digital spaces redefine adaptation?
Important Deadlines
Deadline
for abstracts: 20 May 2025
Acceptance
letters to be sent by 15 June 2025
Delegate
fee to be submitted by 30 June 2025
Full
papers (those competing for the ISM Award): 15 August 2025
Full papers (those who wish to publish in MEJO): 5 Sept 2025
Final program to be ready by 10 Sept 2025
Conference Dates: 19-21 September 2025
MODE OF ABSTRACT SUBMISSION
Please fill up this Google form as directed:
https://docs.google.com/forms/d/19xXdVtcoagPKnHLLtwdxwYwfIQ9s1AyzTu5II62q6gg/edit
Deadline for receipt of abstracts is 20 May 2025
NOTE
Presenters need to be at least postgraduate research scholars, teachers,
or independent scholars.
All abstracts will be peer-reviewed before they are accepted.
This is an in-person conference. Online sessions may be considered for
delegates from outside India.
All paper presenters need to be members of MELOW. If you are not a
member, you may send your abstract now and apply for membership once it is
accepted.
Details of membership/registration fees will be sent along with the
acceptance letter.
In memory of the late Prof Isaac Sequeira, MELOW annually awards a prize for the best paper presented by a young scholar (below forty at the time of the conference). The award comprises a certificate and a cash prize of Rs. 5,000. The competition is open to Indian citizens who are members of MELOW. The abstract and paper should be submitted by the stipulated deadline in the required format. Joint entries are not eligible for the ISM Award.
For further inquiries please email: melusmelow@gmail.com
Our website: www.melow.in
Host
Institution (Department of English, Central University of Himachal Pradesh,
Dharamshala)
Department of English
at the Central University of Himachal Pradesh, Dharamshala, is a
vibrant academic hub dedicated to the study of literature, language, and
critical theory. It offers postgraduate and doctoral program aimed at
cultivating scholarly engagement with literary texts, cultural studies, and
interdisciplinary research. With a committed faculty and a focus on classical
and contemporary literatures, the department fosters critical thinking,
research aptitude, and a nuanced understanding of global and Indian literary
traditions. Through seminars, workshops, and academic collaborations, the
department creates an enriching environment for students to explore the
evolving contours of English Studies.
The Central University
of Himachal Pradesh was established under the Central Universities Act 2009,
becoming functional on 20th January 2010. Located amidst the mighty Dhauladhar Mountains, near the
HPCA stadium, the university has achieved significant milestones in its journey
of fifteen years, and was accredited with A+ Grade by NAAC in 2023. Thereafter,
in 2024, it became one of the eight universities of India to be accorded Graded
Autonomy. Well-connected with air and road, it is 12 kms away from the Gaggal
Airport. Though the weather remains quite pleasant during October, delegates
can carry light sweaters/jackets.
Organizing Committee
Dr. Roshan Lal Sharma (Senior Professor and Head)
Prof. Nanduri Raj Gopal
Prof. Khem Raj Sharma
Dr. Hem Raj Bansal,
Associate Professor
Dr. Suraj Soni, Assistant
Professor
ABOUT
MELOW
MELOW (The Society for the Study of the Multi-Ethnic Literatures of the World) was first set up in 1997 as MELUS-India. It is an academic organization, among the foremost of its kind in India. The members are college and university teachers, scholars and critics interested in literature, particularly in world literatures, and literary connections across borders of time and space. The organization meets every year over an international conference. It seeks to maintain academic standards, encourages younger scholars, and provides a forum for a fruitful exchange between upcoming and senior scholars in literature.
MEJO, The MELOW journal has existed in hard print for more than a decade. It is now published annually online.
Current Office Bearers of MELOW
The Governing Body
President: Manju Jaidka, former Prof of English, Panjab University,
Chandigarh
Vice-President: Debarati Bandyopadhyay, Prof, Visva-Bharati,
Santiniketan, WB
Secretary: Manpreet Kaur Kang, Prof, Guru Gobind Singh
Indraprastha University, Delhi
Jt. Secretary: Roshan Lal Sharma, Prof, C.U. of Himachal Pradesh,
Dharamshala
Treasurer: Aneel Kumar Raina, former Prof of English, Panjab
University, Chandigarh
Dy. Treasurer: Hem Raj Bansal, CUHP, Dharamshala
Regional Representatives:
Prof Sushila Singh (Varanasi)
Prof Sachidananda
Mohanty (Orissa, India)
Prof Dipankar Purkayastha (Silchar)
Prof Jap Preet Bhangu (Longowal, Pb)
Prof Sanjay Mukherjee (Gujarat)
Prof Kalpana Purohit
(Rajasthan)
Dr Neela Sarkar (Kolkata)
Dr Meenu Gupta (Chandigarh)
International Advisory
Board
Prof Giorgio Mariani (U
of Rome, Italy)
Prof Rajeshwari
Pandharipande (U of Illinois, Urbana-Champaign, USA)
Prof Mukesh Williams
(Soka University, Japan)
Prof Pawel Jędrzejko (U
of Silesia, Katowice, Poland)
Assistant
International Advisors
Dr
Ui Terramoto (Japan)
Dr
Khagendra Acharya (Nepal)
Reach us on: www.melow.in, www.melusmelow.blogspot.in
and https://www.facebook.com/profile.php?id=100003036474708&fref=ts
Email:
melusmelow@gmail.com